The 13th Floor Elevators – Easter Everywhere (1967)

The 13th Floor Elevators were on a roll, despite some drug possession troubles with the local police. Their first album had attracted some attention over the quality of their music. There were some quality pieces on it.

This album is even better than the first album. It is a more definitive and branched out style of tunes. A wider variety of instrumentation is here. Let’s dive in and have a listen.

It begins with the extended Slip Inside This House. Yes, this is the song that Primal Scream reworked on their own Screamadelica album. It’s a very good song, however. It’s a hippy sort of song but has beautiful acoustic guitar propelling it along. The guitar solo is mint too.

The following song Slide Machine has some wicked slide guitar, more gobbling Ostrich style sounds and plenty of audio space. By this meaning, the simplicity of the music gives the song an easy listen. It’s a simple and wonderful piece.

She Lives (In A Time Of Her Own) is up next. It’s a simply listenable pop piece. The instruments combine for a wall-of-sound style listening experience. Consistent in comparison to other bands, even around this time.

Nobody To Love is a melancholy piece with fuzz guitar, gobbling galore and pacing drums. It shows the variety of the 13th Floor Elevators and the ability of the band to create such music way back in the 1960s.

A Bob Dylan cover follows. (It’s All Over Now) Baby Blue is a bittersweet ballad that demands listening. The undercurrent of melancholy that exists throughout this album likely reflected their real-life situation, which was becoming difficult for the group. It’s a really great cover nonetheless. You can really hear the emotion in this song, especially towards the end. Brilliant.

The following piece Earthquake is more uptempo, with some fascinating sounds included in the song. The lyrics are rather random but excellently written. There is some sweet electric guitar playing in it with a bit of feedback. It’s an awesome listen overall.

Dust exhibits such a sad feeling in the song that one hears the direct emotion from Roky Erickson’s singing and feels immediately sad. It’s such a good song, it deserves multiple listens. What a beautiful song indeed.

Levitation is about an out of body experience, judging by the lyrics of the song. It’s a trip alright, but feels optimistic and joyful. It’s a great piece about the said experience. These guys were obviously heavily into drugs, and it shows here. “I’ve got levitation,” indeed.

The next song, I Had To Tell You is a short and sweet ode to music, with female backing vocals included. It also has harmonica to boot. Is there anything that the 13th Floor Elevators could not express? Probably not. It’s a good piece by the group.

The closing song is Postures (Leave Your Body Behind). It’s a laid back piece, likely about tripping. It sounds solid, a nice way to finish this recording. It takes its time but doesn’t seem at all boring.

Although being essentially a cult band, the 13th Floor Elevators had some great songs in their arsenal. Sadly, Roky Erickson was arrested for drug possession and the group disbanded shortly afterward. It’s a sad ending to such wonderful music. But at least we have the recordings here to enjoy. Check out the remastered reissues of the 13th Floor Elevators, worth doing so as well.

A great listen.

9/10

The 13th Floor Elevators – The Psychedelic Sounds Of The 13th Floor Elevators (1966)

Some say you can’t judge a book, or an album, by its cover. With this album, you can. A bunch of young men from southern U.S.A. delivered this album way back in 1966 and became cemented in history for this. And what a trip this album is. Let’s dive in and have a listen to it.

You’re Gonna Miss Me begins our musical trip, and it gives us our unique sound for a garage and psychedelic rock band. It features unique screaming from the singer Roky Erickson, which surely metal legends copied later on. It has clanging Fender style guitar sounds, harmonica and an Ostrich like sound gobbling away in the background. Nice.

Roller Coaster is up next and is much more down-tempo until the midsection hits you. But still, it is a pure head-rush of psychedelic music. The lyrics are just hippy nirvana. It has more gobbling too. It’s a great extended piece by the 13th Floor Elevators.

The next place, Splash 1, is a slow-moving ballad style piece. It’s reassuring in its melody, something which many bands can never do. Specific emotional delivery is often ignored by musicians in songs. The 13th Floor Elevators do not ignore this, it’s a great song.

The next cut Reverberation (Doubt) begins with a note being hit on the tremolo system of a Fender Stratocaster, before leaping into a danceable piece with surreal lyrics. It’s a hippy delight.

Don’t Fall Down sounds like a continuation of Splash 1 but still, it has its own personality. Beautiful acoustic guitar lurks away in the background of this song, but the chanted chorus is uplifting indeed.

Fire Engine follows after the previous song, with vocalised sirens done so well indeed. “Let me take you to the empty place on my fire engine.” It’s a real trip this one. And brilliant too, sonically light years away from other bands of the time. Brilliant.

The next cut Thru The Rhythm is a slightly weaker cut. But still, it’s good stuff to listen to. One cannot help but feel a better mix would have helped this song. But still, it’s a good song anyway.

Following up is the melancholy piece You Don’t Know. It’s a better piece than the last one, with absolutely tripped out lyrics. Roky Erickson sings very well here, he was a unique singer in many ways that was underappreciated over the years. Good effort.

Kingdom Of Heaven is the slowest song on this album, but it’s never dull for a moment. “The kingdom of heaven is within.” It’s a really beautiful piece and downtempo to boot.

Monkey Island is a trip galore, as the title suggests. The guitar riffs here are excellent, showing the musical prowess of the band. Roky Erickson’s vocals here are top, singing and screaming perfectly, with a great monkey impersonation at the end. Excellent.

The last cut, Tried To Hide, sounds like a great pop sort of song for the time, with harmonica. It finishes the album nicely, and we can say that we have heard quite possibly the first psychedelic album ever made.

This album has received cult status over the years and has given The 13th Floor Elevators their deserved place in history. So many musicians came out of the woodwork after the release of this album. The cover of the album does not lie about the music, it’s the trippiest thing that was recorded in its release in 1966. Give this a listen if you dig psychedelic music.

8/10