There has never been a greater time to be an Oasis fan. After 15 years of waiting impatiently, the mighty Oasis is finally reforming as a band. Although at the time of writing, it is not 100% clear who will make the final lineup for the reformed band, we do know that Noel Gallagher and Liam Gallagher definitely will be together in Oasis, along with (quite possibly) Bonehead, the original rhythm guitarist. This is a major step in the right direction for fans of the band, and their touring concerts will no doubt be massively popular. This also makes a drastic change from the relative disappointments of the Gallagher brothers’ solo careers. Although both of them had their moments for sure, both of their solo careers were exceedingly disappointing overall. To coincide with this positive news of forgiveness between the Gallagher brothers, Oasis is re-releasing their classic album, Definitely Maybe (1994) with some juicy rarities that many people who are just casual fans, or even hardcore fans, have not yet heard. This is that particular album. Fans of Oasis will note that not only this includes a remastered version of the original album, but it also includes the Monnow Valley and Sawmills Studio versions of the songs. Bear in mind that this is intentional for fans to hear, as they were the first two failed attempts at making the original Definitely Maybe. Most people have not heard much of this material until recently, and now Oasis’s moment to shine has truly come as one of the greatest Rock bands of the 1990s, let alone all time. Let’s celebrate their milestones and take a listen to this album, and hopefully, it will hold up as a re-release with extra goodies bundled.

Rock ‘n’ Roll Star begins with roaring guitars, verging on feedback and launches straight into a midtempo Rock anthem for the 1990s. Liam Gallagher’s voice is truly awesome throughout, and he delivers a perfect mash-up of John Lennon and John Lydon in his singing voice. Nonetheless, this still sounds amazing, 30 years later. A mindblowing effort about having dreams and aiming to make it as a Rock and Roll Star. The whole band play with instantaneous energy and ferocity not seen since the Sex Pistols and the music is fantastic to listen to throughout. A wonderful and exciting listen, the remastered album does fantastic justice to the original songs at hand. Nonetheless, one can have dreams and ambitions in life, be it being a Rock and Roll Star, or not. Noel Gallagher’s guitar solo is note-perfect, and he and the band play very well indeed. A wonderful way to begin a music career, and a great opener from their first album. The outro has a strange warped and pseudo-Psychedelic groove to it all. Liam then proclaims: “It’s just rock and roll…” on repeat to fade. A fantastic start to a monumental album. The outro is a great example of Marshall Amplifiers cranked on full. Awesome.

Shakermaker is a 12-bar blues about childhood whimsy. The delay and reverb on the guitars from the start make this riff come alive. Soon into it, Tony McCarroll’s tom-tom styled drumming launches us into action and Liam Gallagher sings in a pure, youthful way. The whole band works as a unit on this album. “Aah…shake along with me!” is the grand chorus here. Noel Gallagher writes lyrics better than most musicians out there, and he mentions childhood toys throughout this song. A ripping guitar solo is present near the midsection of this song, which sounds really amazing and thoroughly great. Liam launches into action with an awesome and emotional vocal throughout this song. He sounds really in fine form and amazing throughout and hits all notes effortlessly and with ease. Of course, there is the reference to Sifters Records here, but was required at the time as the band had a verse lifted straight from the Coca-Cola song. In any case, this was a hit single and sounds great, to this very day. The outro is very catchy to listen to and has some awesome guitar playing and sounds throughout. It wraps up with some interesting guitar licks and clapping. Nice.

Live Forever begins with some whistling and launches into a fantastic drum part by Tony McCarroll, before launching into a superb listen that is powerful, youthful and beautiful. This is quite possibly about the bond that the Gallagher brothers have had, especially early on in Oasis. Regardless, this is a truly moving and sweet tune that is likely the best song from Definitely Maybe. This is a life-affirming and fantastic listen. The guitar solo present is deep, meaningful and magical, sounding as though it was played on a Gibson Les Paul. A timeless and magical song that is easily one of the best and greatest songs of all time. Liam Gallagher sings wonderfully and with ease on this album, and he puts a great deal of emotion into his performance on this song. Another excellent listen. “We’re gonna live forever,” indeed. That is repeated at the end of this song. This is followed by an awesome guitar solo by Noel Gallagher that tears the house down. Brilliant, and it is easy to hear why this is a fan-favourite song to this very day. Life changing.

Up In The Sky is another great song, sounding amazing from the start with heavy electric guitar riffs. It quickly launches into a fantastic song that is deliberately political. Noel Gallagher more or less described it as an anti-establishment and political song about the leaders who didn’t have a clue how ordinary people lived their lives. In a large sense, this message is even more relevant in today’s world, as much as it was back in 1994. Regardless, this is a winner of a listening experience and sounds musically magical and great. Liam Gallagher’s singing is pleasant and reassuring, and there are some acoustic guitar overdubs throughout. A classic tune, even for a song that is often seen as a weaker effort from Definitely Maybe. Nonetheless, this music works very well on a simple and song-styled level. Showcasing a Punkish tone and sound in their early days, Oasis nailed the feeling that the ruling UK Conservative Party was totally out of touch with ordinary people’s lives. Noel Gallagher later aligned himself heavily with New Labour, although that is less the point here. This is a great song, which is a better musical point from this album.

Columbia was actually named after a hotel that Noel Gallagher once stayed in. It begins with some tripped-out and interesting delayed feedback guitar riffs, which sound very awesome. Soon enough, pounding drums enter and this simple three-chord jam-based tune gets underway. This tune deserves to be cranked as loud as possible on stereo speakers to annoy your neighbours thoroughly. Based on an old Acid House tune, according to Noel, this originally did not have lyrics, but Noel Gallagher added them as an afterthought. The chorus soars well above anything else here, and Liam Gallagher puts in a stellar performance here. The rhythm section holds this piece up very well, and it is proof that Bonehead, Guisgy and even Tony McCarroll were critical to the early Oasis sound. A really awesome piece of music. “This is confusion, am I confusing you? This is confusion, am I bemusing you? This is peculiar, we don’t want to fool ya…” are strange lyrics indeed. The second half of the song has some impressive and interesting guitar solos by Noel, and the rest of the band has an infinitely awesome backup groove. This gradually gets louder and more exciting to listen to as it progresses. The guitars sound very amazing here and this is proof of the genius of both Mark Coyle (producer and sound tech) and Owen Morris (mixer), and it goes to show that they were great picks by Noel Gallagher to record these songs. It gets massively loud towards the end and finishes up with the call-and-response vocal part between the guitars and Liam Gallagher. A ripping tune, this is very slowly faded out at the end with Liam’s singing and Noel’s guitar solos sounding great. An awesome listen.

Supersonic was the group’s first single and made a decent impression on the charts. It begins with Tony McCarroll’s simple drumming, Noel Gallagher’s guitar riff and quickly enters into a fantastic and punchy Pop/Rock masterpiece. The key vocal is at the start: “I need to be myself, I can’t be no-one else”. Brilliantly put. In any case, this is a sensationally enjoyable and youthful sounding Rock anthem that has lasted well to this very day. A crisp and clear neck pickup guitar solo by Noel is here, and there are some interesting sounds abound on this tune. On this album, Oasis were at their purest, and arguably their best as well. All in all, a great song with some tongue-in-cheek lyrics over a grooving Rock song. Nonetheless, this music does sound impressive and great. A powerful and fun song to listen to, this is an inspiring musical statement. It wraps up with Noel Gallagher’s guitar solos, which sound great. The song gradually fades out at the end, and this song is a fantastic listen. A must-listen from Oasis for Oasis fans.

Bring It On Down begins with a ton of electric guitar feedback, and has Tony McCarroll putting in his best effort on drums, which took a long time for him to get right. In any case, this song is very close to Punk Rock and is a nod to the spirit of the Sex Pistols. Creation manager Alan McGee (Oasis’s record label at the time) wanted this to be released as the band’s first single, but he did not get that wish granted. Still, this is a fantastic song to listen to. In the midsection of the song, Liam Gallagher’s vocals are treated nicely and he sounds anarchic on this song. In any case, this song is a winner and it deserves more credit than what it usually gets. A fantastic song that references the underclass, possibly about Oasis themselves. It ends with a ton of dirty and aggressive guitar playing that sounds interesting and warped. A good song to listen to from this album. Noel puts in his best solos at the time and is an underrated lead guitarist. It ends with guitar feedback and drum rolls to fade.

Cigarettes & Alcohol is a song about, you know what. It begins with a bunch of amplifier hiss, whistling and launches into a clever and dirty guitar riff lifted from T. Rex, all to distract you from the fact that the drumming is out of time. All the same, it quickly launches into a terrific anthem of a hedonistic nature. Liam Gallagher sings like a legend here, and this song references cigs, booze and doing white lines. Regardless, this is a really fantastic song to enjoy to the full. Even if you don’t drink, smoke or do drugs, you may be able to connect with some of the lyrics here, such as: “Is it worth the aggravation, to find yourself a job, when there’s nothing worth working for?” Indeed, Oasis had a great songwriter in Noel Gallagher. This is a solidly awesome tune that has a loud and chaotic sounding outro section that sounds truly awesome, with loads of amplifier hiss and feedback. A supercharged song, this is an awesome song to get trashed to. Definitely a highlight of this album.

Digsy’s Dinner is next. Yes, Digsy is an actual person. This song has an interesting back story to it, which Oasis fans should hear about if they watch the 2004 Definitely Maybe documentary. Regardless, this is a simple tune that is not designed to be taken at all seriously. Still, it fits this album very nicely and sounds impressive and yearning for friends and company. This is yet another great tune, with a piano solo in the middle of it. The song is an enjoyable listen and is shorter than your average Oasis track on Be Here Now. Still, essential to hear if you love Oasis. A decent effort for an often-overlooked song.

Slide Away is the sole song from the earlier sessions of Definitely Maybe that was put on this album. It has quite possibly one of Liam Gallagher’s best-ever vocals. The lyrical content is about lovemaking but is done in a very sensitive and romantic way. A bit difficult to believe that Noel Gallagher could write songs such as these, given his public persona. Still, this is beautiful, magical and awesome to listen through. “Let me be the one, that shines with you, and we can slide away…” is sung here. This is one of the better songs on the album and is a great starting point for Oasis listeners to hear. The guitar solo is magical as well, and it sounds very excellent and enjoyable. Noel obviously knew how to write great songs from the start of Oasis’s career. In any case, this is a magical song that will take you to the next level. If you have ever been in love, this song will remind you of the outpouring of emotion that love can create. A wonderful song, and never boring nor dull during its six-minute-plus running time. Noel Gallagher sings the backing vocal part here and the harmonies as well towards the end of the song. This music is a great reminder of what the 1990s were about. A fantastic listening experience from start to finish, and a must hear if you are giving Oasis a shot. Excellence without peer, it fades out nicely with some uplifting guitar solos and crashing drums. Very, very good.

Married With Children is the final song on the main album, which was recorded in Mark Coyle’s bedroom with just Noel and Liam Gallagher. Liam sings very nicely on this tune. This song is about the frustration and annoyances that one’s partner (or to be specific, girlfriend from Noel’s perspective) can make in life. Liam Gallagher’s singing is fantastic here, and although this is likely enhanced a little bit in terms of mixing, the whole thing is simple, melodic and straight to the point musically. All in all, a great song to conclude the main album with, and it sounds great, whether or not you are hearing it for the first time or the 100th time. Simplicity in music is here, and Noel Gallagher deserves credit for making such wonderful music with Oasis. It ends nicely after three minutes. Bittersweet. The first side of this release finishes up here.

Rock ‘n’ Roll Star – Monnow Valley Version begins with some tape hiss and clacking drum sticks, launching into a series of guitar riffs. Instantly, one can hear why this was never seen as good as the final version of the album. It sounds unlike Oasis at all, and although it is a solid effort to listen to, it does not sound quite like Oasis. Liam Gallagher’s singing is in a broader range and has some memorable appeal in this version, but it still does not sound as good as the version Owen Morris mixed. In any case, for all its naivety, this is a really interesting and joyous tune to listen to. Sure, it might lack some of the end product magic, but it is an enjoyable listen nonetheless. A good piece of music that is different. The guitar solo section isn’t as good as the album version, however. This is also a tad long for most people to listen to, being over six minutes in length. The section change sounds awkward, along with Tony McCaroll’s drumming. It could have been edited a bit better, to be fair. There is some weird slide guitar throughout to conclude this song as well. A different listen, but not as great as one would hope for. Definitely Maybe you should hear this. It falls apart at the end, with a ton of nasty feedback.

Shakermaker – Monnow Valley Version begins with more clacking drumsticks, and launches into an amusing set of clean guitars that sound odd. This leads to drumming that launches the song away nicely. Liam Gallagher sings nicely here, but the whole thing sounds forced and too pristine to be really enjoyed, unlike how the final album version was. In any case, this is a good listen but certainly not a great listen at all. Noel Gallagher’s guitar playing is very good on this song, although he is clearly unable to create a mammoth sound here, due to the production throughout. Still, for all its naivety, this is a fairly good listening experience. This does sound really forced as a song. Liam sings the Coca-Cola song section, rather than the verse that Noel later wrote. Good but again, somewhat suffocated sonically and fairly lacking as a result. It wraps up with some nice vocals and overdriven guitar riffing. Different but it lacks magic here.

Live Forever – Monnow Valley Version launches right into it, with no intro at all. Liam Gallagher’s singing is beautiful here, but this version of Live Forever lacks suspense and interesting sounds throughout. In any case, Liam is the real star of this song, and the rest of the band is playing catchup here. The whole music piece sounds suffocated as a result, and it does not really sound like Oasis, all said and done. Even Noel Gallagher’s guitar solo does not sound overly impressive on this version of the song. A good listen, but definitely not a great listen. Good thing that both Alan McGee and Marcus Russell told Oasis that they needed to perfect these songs in a better scenario after hearing this. It’s not outright bad, but it sounds nothing like Oasis at all. The singing by Liam Gallagher is top-notch, however, and he already sounds like a Rock God. The outro guitar solo sounds suffocated, and it is clear that overproduction did not really suit Oasis in these mixes. It’s okay, but lacks magic. It ends with strummed acoustic guitars and feedback to conclude with.

Up In The Sky – Monnow Valley Version begins with tape fuzz, and clacking of drumsticks and launches into an interesting version of the staple of Definitely Maybe. This is quite good, once again, but it doesn’t sound at all like Oasis. Instead, it sounds like The Who or The Kinks, to be fair. Still, this is one of the better pieces from this collection of songs. Noel Gallagher does some great harmonies over acoustic and electric guitar overdubs. Liam Gallagher himself sings very nicely here. Liam had his voice nailed on the 1990s Oasis recordings, and he created a wonderful vocal take which was fantastic. Liam Gallagher also hits all the high notes throughout, proving that he had no real competition at the time. Nonetheless, this is a decent listen but it lacks the power and finesse of the final Definitely Maybe songs. It wraps up with repetitive guitar parts to fade. It’s good but a little underwhelming, once again. The acoustic guitars at the end are a nice touch, however.

Columbia – Monnow Valley Version begins with the clacking of drumsticks and launches into, quite frankly, a bad version of the main song. It quickly launches into the shuffle groove of the main song. It is clear by this point that these Monnow Valley songs lacked a great deal of power and quality control. Liam Gallagher sings here, and Noel Gallagher does the backing vocals as well. This does not sound good at all. One can understand why these guys had to record their debut album three times. Liam sounds atrocious on this tune, and it is a lethargic drag to listen to. If you need to skip ahead at this point to the next set of tracks, it might be a good idea. This is the sound of Oasis’s music being murdered by a record producer who didn’t have a clue what Oasis’s music should sound like. In any case, don’t blame Noel Gallagher or the rest of the band for this. They quickly learned that these sessions were a waste of time. The guitar solos at the end aren’t the greatest, and this fades out to finish. Not good.

Bring It On Down – Monnow Valley Version begins with some powerful tom-tom drums by Tony McCarroll and the guitar riffs to match. This actually sounds rather decent, despite the fact that it lacks power throughout. Liam Gallagher sings with a ton of delay on his vocals, and this again is underwhelming to listen to. In any case, these songs sound disappointing with this certain mix. The guitar solos and performances clearly don’t sound the best here. Liam Gallagher’s singing does sound decent on this song, but the guitars sound trite in the mix, to be honest. Nonetheless, hardcore Oasis fans will appreciate this music, but many others will not. Fortunately, Noel Gallagher was talked into redoing these songs, and thankfully he actually did. A really interesting listen, but not necessarily a good listen. It ends with feedback and some slightly delayed guitar parts, before wrapping up.

Cigarettes & Alcohol – Monnow Valley Version begins with the clacking of drumsticks (again), and crunchy guitar riffs, launching into a very ordinary version of the song. Liam Gallagher sings well here in this song, but it is otherwise naff verging on awfulness. This is not doing Oasis any justice here, and although Noel Gallagher does backing vocals on this tune, this is certainly worth avoiding, to be fair. A very disappointing listening experience, the lack of quality control in the production does not assist things whatsoever. Thank goodness this band moved on quickly enough from these raw and not-so-ready versions of their songs. The music here is certainly not enjoyable, and the guitar sounds as those it has had its guts ripped out. The singing towards the end is awful. In any case, possibly worth skipping ahead. Not an inspiring or decent listen throughout.

Digsy’s Dinner – Monnow Valley Version is the final of the Monnow Valley songs on this reissue of Definitely Maybe. It does benefit from some acoustic guitar and punchy drumming, but it sounds a very strange listen with Noel Gallagher’s backing vocals here. It sounds like a band trying to parody Oasis rather than exactly what Oasis should sound like. This does have the piano solo in it but is otherwise not the best to listen to. Thankfully, these versions were quickly put into the dustbin of history. It quickly finishes up just before three minutes in length.

Rock ‘n’ Roll Star – Sawmills Outtake is the beginning of the second collection of the attempt to record Definitely Maybe. It begins with some interesting guitar feedback, quickly launching into a rough and raw mix of this song. It is slightly better, but still sounds poor and lacking as a piece of music. Liam Gallagher’s singing is awesome here, and although this is an improvement over the Monnow Valley sessions, this is still a poor effort overall by the production and mixing team. We are blessed that the final version of Definitely Maybe was as awesome as it was. This sounds like a Garage Band, to be fair, which is not what Oasis was about. It just sounds like rubbish due to the mix. Unless you are a hardcore Oasis fan, there is no real need to listen to these tracks. Liam’s vocals are spot on here, however, and he breathes life into the failed music project. Sadly, this is not a success here. The music powers on, and again it sounds as though Oasis were being murdered musically by an egotistical producer and mixer on how they should sound. The ending section sounds quite odd indeed. This could have been edited and mixed better. Also, it is too long at over six minutes in length. Not the best, but a good historical listening experience. Some overdubbed vocals by Liam are here, and this quickly draws to a close. Not great either, to be honest.

Up In The Sky – Sawmills Outtake begins with a ton of tape hiss and launches into a rather rough version of the song at hand. Again, this is not the best-sounding take on the Oasis song, but for historical purposes, it’s okay. Again, Liam Gallagher is the real star on these demos, with his raw and different vocal take throughout. The music here isn’t mixed very well and drags it all down quickly upon listening to it. It’s okay, but certainly not mindblowing or fantastic to listen to. In any case, a good listen but far and away from being the powerful and loveable final version of it all. Even so, this is an okay musical listening experience that sounds decent but not phenomenal. Some serious questions needed to be raised about the production and mixing of these sessions, and this song is no different. You can certainly hear the potential at this point, but it ultimately comes across as a lacking musical experience. It finishes up with the overdriven guitars and hi-hats to conclude with. Good but certainly not great.

Columbia – Sawmills Outtake launches straight into it, and Liam Gallagher sings wonderfully over this rather raw and rough-sounding mix of sound. His falsetto vocal in the chorus is outstanding, even if this still sounds like a Garage Band version of Oasis. A good yet different sounding version of this music, it does sound eerily wonderful and phenomenal simultaneously with respect to Liam’s singing. It does sound really interesting and electrifying, all the same. Decent to listen to, even if it lacks the dynamics and magic of the final version. Liam stops singing towards the midsection of this song, as Noel Gallagher goes into his guitar soloing nicely and the rest of the band follow along with him. Liam Gallagher returns with some additional vocals and lyrics that were not on the final version. Liam struggles to reach the high notes on his “Yeah, yeah, yeah!” parts, which isn’t great. Some additional rambling lyrics follow as the band does their jam band thing. Some awful guitar soloing follows, which could have been edited. In any case, this progresses into jam band territory, with Liam Gallagher singing in the distant mix. Not as good as this could have been, to be honest. It is too long as well, being over seven minutes in length in total. Not a great version, but certainly not outright bad. Oasis were always at their best playing raw and live versions of their songs. This ends with sustained and overdriven guitars, before concluding with some awful feedback.

Bring It On Down – Sawmills Outtake begins with some amp hiss and launches into a good version of this song. The guitars do not sound great, however, and could have been better mixed throughout this tune. In any case, this is a very good version of the classic tune which sounds electrifying indeed. A really thunderous and awesome piece of music to listen to, Liam Gallagher’s vocals do sound menacing on this song. A good version of the song from the main album, although the guitars sound pretty rough. The music and performances are excellent as well, the only downer here is the mixing. A surprisingly good effort by Oasis. This music is good to hear, warts and all. Indeed, many Oasis fans out there will dig this version of Bring It On Down. It ends with some decent drum rolls and guitars feeding back.

Cigarettes & Alcohol – Sawmills Outtake begins with some warped tape sounds and launches into a good-sounding Les Paul-styled riff, before entering into the main song. Liam Gallagher sings very well here, and this is without a doubt one of the better takes from the Sawmill Studio sessions. Although it lacks some of the overdubs and excitement of the final album version, it does sound super enjoyable and exciting throughout. A real joy and quite interesting to listen to, this music is actually a good version that is slightly different to the final recording. The Gallagher brothers and their bandmates do a fine job musically on this track, and it sounds euphoric, rousing and interesting throughout. Sure, this isn’t as direct as the final album version, but it still sounds really good musically. A very decent listening experience regardless. Liam Gallagher’s singing at the end is fantastic to listen to, and the outro present is superb. A bit lengthy, but that is perfectly fine here. It ends with feedback-laden guitars, followed by amplifier hiss and loose bass guitar notes.

Digsy’s Dinner – Sawmills Outtake begins with some loose guitars, and clacking of drumsticks and launches into a fairly ordinary version of Digsy’s Dinner, due to the production and mixing of it all. Liam Gallagher’s singing is in fine form here, and he sounds like a Rock God from the go. Fortunately, this is a shorter tune to listen to and is simpler and more direct as a result. There is no piano solo present in this song, just guitars and drums in that section. This is a little underwhelming as usual, but is listenable nonetheless. A very good listen, through and through, all the same. It ends with a load of loose guitars before it finishes up with a false start of the song again. Why this was added is a real mystery.

Slide Away – Sawmills Outtake is the last piece from the Sawmills sessions on this album release. It begins with some weird loose guitar parts, before launching into an awkward-sounding song intro before the band kicks right into the song at hand. This is actually a very fantastic listening experience for this Sawmills outtake. Liam Gallagher’s voice sounds fantastic here, and although it is not the final version of the main album, it certainly has some awesome potential from a listening perspective. It sounds really great and although it could have been produced and mixed a bit better, it does sound very interesting and awesome simultaneously. Liam sounds just like a Rock God here, and he puts in 100% into his vocals at this point. Perhaps this is proof that early on in Oasis, his voice was at its peak before he destroyed it. In any case, this is a very good-sounding tune for fans to enjoy. A really cool and interesting version of this song, with some interesting drumming by Tony McCarroll here. There is an extended jam section present here, which was bettered later on by Oasis at their live gigs. In any case, this is a good listening experience. It ends with humming amplifiers and hiss.

Sad Song – Mauldeth Road West Demo, Nov ’92 is the final song on this album release. It is a good demo of the song that was a regular Definitely Maybe staple. The only thing is that Liam Gallagher is singing this tune, and his voice adds a different quality and texture to the song itself. Liam deserves more credit than he usually gets for his singing, and this is perhaps a good indication of that. This does sound different, and special in its own way. Even in their infancy, Oasis made great music. Period. A very different listen, matched with a 12-string acoustic guitar that sounds great. It is clear that these guys had a certain level of talent from early on. This song has an important lyric line: “Don’t throw it all away, at the end of the day…” This makes perfect sense to the listener. It begins to wrap up with an upbeat 12-string acoustic guitar to conclude, before finishing. A good listen.

To be fair, this collection of music is the best thing that Oasis fans should hear right now. Not only the classic 1994 album release Definitely Maybe has been remastered to 2024 standards, but the second half of the album has some unheard-before goodies that make a great deal of sense to fans who are willing to listen back before the group’s debut album. Sure, some of these songs aren’t the best. Even so, Oasis showcases their unique talent as a group from early on. Should you listen to this album? Definitely maybe. It depends on whether you love Oasis or not. Even so, non-hardcore fans of Oasis will appreciate the remastered 2024 main album, whereas hardcore fans will love the extra goodies. Still, a nice little package from Noel and Liam Gallagher.

Interesting.

7/10