The late 1960’s was a very interesting time for music. Psychedelia was in fashion, but then again even if that weren’t so, great records were being made.
This is often considered Cream’s best album. It probably is not as good as Fresh Cream. But hey, it still rocks well. Let’s have a listen, track by track. It’s trippy for sure.
Strange Brew kicks off the album. It’s an ode to dangerous drugs right from the outset. It has some proto Black Sabbath style riffs and psychedelic imagery in it. It’s a good starting point, the band sound top here. It’s a great start to a great album. Very enjoyable.
Sunshine Of Your Love was likely written for and inspired by Jimi Hendrix, who was one of their contemporaries. Funnily enough, Hendrix loved this song and covered it live from time to time. It’s a terrific tune, and we go into interstellar overdrive with this number. It’s the best song from the album, and a great listen as well. The solos here are fantastic, typical Eric Clapton goodness.
The more modest piece, World Of Pain, actually is a lot more cheerful than you’d expect. It talks about difficult emotions, yet is just simply a solid piece on the album. It sounds so mellow that it is essential listening. Good wah-wah guitar is here, too. It’s a nice tune.
The next song, Dance The Night Away, continues our surreal adventure into a fantasy based world. It’s different, and still very very good. Jack Bruce’s subtle singing is fantastic, better than belting out the lyrics too harshly or loudly. He just sings – and this song is one of his best examples of singing here.
Blue Condition is a riff driven piece that has piano in the background of the song. It’s a nice piece about being blue. Despite the troubled emotions in the lyrics, the band sounds really happy to play these songs. A little strange, but fortunately it is another good song to hear. Ear candy.
Tales of Brave Ulysses is the most psychedelic piece out there on this album. It is so tripped out lyrically especially, that one cannot help but think the amount of drugs these guys consumed. In other words, a lot of drugs. “Tiny purple fishes, run laughing through your fingers…” is a totally great example of these tripped out lyrics. A great effort indeed.
The next song, SWLABR is a nonsensical piece that sounds rather bluesy and complex structurally and musically. It’s a good listen and although seemingly is more of the same, it is not in any way inconsistent or unlovable. All these songs are great here on this album.
The follow up We’re Going Wrong is a subtle and interesting piece to follow onto. Some brilliant tom-tom drumming by Ginger Baker is here. All three members of Cream excel fantastically at their craft here. It’s a great listen about love lost. Nice. The interplay between the vocals and guitar is nice here.
Outside Woman Blues is about the nasty topic of cheating partners. It’s not an easy subject to talk about. But it’s a great listen here, and indeed a subtle reminder of what damage cheating actually does. Of course, divorce rates were much lower in those days. But still, the sentiment remains the same here. A good little blues number here.
Take It Back sounds rather country-esque. It shows the band had many influences in their work. It’s a cheerful number with some harmonica here as well. This album is very enjoyable listening, and this song is no different whatsoever. It’s a dance-able and fun piece here.
The last piece, Mother’s Lament is a cynical satire about a mother and her malnourished infant. It’s simply taking the mickey out of those who have large families. There is just singing and piano here. We end this album feeling satisfied and happy with our listen.
This was Cream’s greatest commercial success as an album. It sold well and took the band into the history books. Unfortunately, Eric Clapton and the others in the group fought fairly frequently, causing Clapton to eventually leave the group in search of a new sound. Despite all that, this is a fine album to listen to.
Short and sweet.