All the successes of Blink-182 had come to fruition. Despite this, the band went very serious on this recording in comparison to previous efforts. Prior to this, the music of Blink-182 was not very serious at all. This one is. It is the second last album to feature guitarist and singing Tom Delonge. It is also their best effort musically.
We begin with pounding drums and lead into Feeling This. It’s a good song about desire, perhaps with an air of melancholy about it. It’s a good song to begin with, and sounds like definitive Blink-182. A great way to start the album.
The grunge like guitars and message of Obvious arrive next. It’s about being cheated on, not at all a comfortable subject to hear. And just when you thought the song was over, bam! It starts again. A good and obvious surprise. Nice.
I Miss You is Blink-182’s most popular song ever. It is a sad ballad about missing someone you love. It is nothing at all like earlier Blink-182 efforts. “Don’t waste your time on me, you’re already the voice inside my head. I miss you.” It’s a very sad song. But so good that it’s worth listening to when the mood demands it.
Violence starts off with some great percussion based sounds, before leading into a fast paced track which is disturbing lyrically. It’s not specifically about violence, but being killed emotionally by a partner. Makes sense if you ever feel this way. It’s just so well done, despite the fact it is a depressing listen. A good job regardless.
The quick and bitter Stockholm Syndrome Interlude comes next. It’s a painful observation with a female voice-over observing a terrible relationship based situation at hand. By now, this could be considered a postmodern breakup concept album of sorts.
It segues into Stockholm Syndrome which is a bitter reflection of the past. It’s effective on many musical and emotional levels. In other words, it is a really good medley of sorts with the previous song.
Down is the next piece. It’s less intense than the previous songs to listen to, but just as good. It’s still about failed relationships though. Who knew what was running through the band’s mind at this point? It’s a good song anyway.
The Fallen Interlude is a mostly instrumental piece that has some minor key melodies in it. It’s a good change from continuous songs. Some great drum work is here as well.
The short and rather disturbing Go arrives next. It is about parents who fight with one another, perhaps verbally or physically and the flow on effects of this. Uncomfortable listening, but fortunately a short listen.
After that, we segue into the rather ordinary Asthenia. It’s not as good as the other songs on this album, but it is still okay to listen to. It could have been bettered though. It seems to refer a lot of classic songs though, which is interesting.
Always is truly a great song. It is just perfectly done for the mood at hand. It’s about still loving someone, even after being rejected in a relationship. It’s something you’d play to someone if you feel that your relationship is on the rocks. Awesome listening.
Easy Target is a short and hateful sounding song. It’s not clear what the subject matter is about, but it fortunately is short for such a track. It has a reoccurring riff throughout that segues into the next song.
The following piece, All Of This, features Robert Smith of The Cure on vocals. It’s a slow paced song with Nine Inch Nails style drums, but it makes a big impact on the listener. Ironic choice for a guest vocalist on a Blink-182 song though. Decent enough anyway.
The short Here’s Your Letter is about being distressed thinking about a girl in one’s life. It explains a series of events, which is quite unusual in modern music. It’s a good listen to hear on the album though.
I’m Lost Without You is the last main song on the album. It’s a very sad piece about the loss of love. The instrumentation and arrangements support the lyrics perfectly. The lyrics sound very deep too, a perfect match for the song. It’s a great epic work. The drumming outro is superb.
Anthem Part Two – Live in Chicago is added to the album’s end. It starts off with a great joke, before heading into a decent live version of said song, which is on the previous Blink-182 album Take Off Your Pants And Jacket. It’s a nice version of the song.
This album is an emotional ride. It’s a postmodern breakup album. Perhaps this was what Tom Delonge had going through his mind at this point, and left Blink-182 after this effort to spend time with his family. Still, the music here is fantastic when the mood desires it. Sadly, Blink-182 were never the same again after Delonge’s departure.
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