The American band Slayer had slowly been gathering momentum. Although their music was in no way mainstream, especially lyrically, Slayer had set themselves up to be the pioneers of Death Metal. It was faster, harder and more aggressive than anything before in music.
This album is the best of Slayer’s back catalogue and began the Death Metal scene that still exists today. It’s a headbanging rush from start to finish.
From the beginning, we have the story of a Nazi butcherer in Angel Of Death. It’s so awesome but scary. You may think that Metallica could not match this, and certainly could not in terms of pace. It’s horrific, but awesome at the same time. It breaks down in the midsection and then rushes into a super fast pace. Good stuff.
The next one along, Piece By Piece, is a brutal sonic onslaught. Hard to believe that this is a metal-based genre. But it’s truly amazing what is done here, and has proper song structures and different tempos. This reveals the variety of Slayer as a band.
Necrophobic reveals the sick and twisted nature of Slayer, at least lyrically. The title says it all but it’s, fortunately, such a short sonic assault that it makes up for any twisted or sick nature lyrically.
Altar Of Sacrifice obviously refers to the hypocritical nature of religion. It’s so catchy that it is easily stuck in your mind for days after. Perhaps these people were Marxists politically? We may never know, but they are Satanists for sure. It slows down towards the end, with our heads still banging away.
The next piece, Jesus Saves, is even more upfront. It starts off slowly, and you can really hear some of the band’s Iron Maiden/Metallica likes influences. It then speeds into a raging track about the hypocrisy of Christianity. A tough pill for some to swallow, but the music still is rocking.
The follower Criminally Insane begins with a basic drum beat, some palm muted riffing, and laughter. It’s so good to hear something that is different than everything on the radio. It is so well arranged by Rick Rubin that it deserves listening on.
Reborn starts off with a sort of jam, before erupting into a sonic assault referencing Satanist activities. Even though the band here gives little variation in their sound, it just is so good. No track sounds out of place on this record. “I won’t be reborn!”.
Epidemic is the next song up, and it is a bit slower than others on the album. The guitar solo sounds like something out of a B Horror film. “Pain results in screams, bleed eternally.” Surely, these guys were on something like meth? It’s a rather sinister song.
The wicked Postmortem is up next. It rolls along nicely in the first half, being very song like and slower than usual for this album. It then bursts into a truly great riff, and screaming galore.
The last song, Raining Blood, is creepier and more evil sounding than anything Black Sabbath ever did. It finishes off the album with more horrific imagery and ultra thrash paced metal. At the end, we hear the pouring rain of blood. Sounds evil and satanic for sure. The albums ends with one feeling like they have listened to Satan himself talking via music to you. It’s out there, all right.
Remastered reissues of the album have given us two extra tracks by Slayer, Aggressive Perfecter and the Criminally Insane (Remix) which are great additions to Slayer’s repertoire. This album is for anybody who wants to hear really freaky music. If you want to test some heavily religious Christians, play this in earshot of them. You won’t be disappointed with this album, halfway between thrash and death metal. Merely looking at the front cover artwork of this album is to see pure hell.
If you liked the article and would like to support the author in his musical review quest, please donate to show your support. Thank you for your consideration. Chris Airey