Public Image lost Jah Wobble, their bassist after the release of Second Edition. He went off for an ordinary life driving trains for a while. Stumped, John Lydon thought of a way to go on. So, in response, this album has no bass guitar on it.
Having said that, this album is still really very good. It is still up to a great standard of John Lydon, and is a great listen.
We begin with Four Enclosed Walls, with its unusual intro and John Lydon chanting and wailing away. It then leads into a very catchy drum part and subtle instrumentation. It’s a great way to kick off this album, and sounds very artistic.
The follow up, Track 8 is a strangely named piece. It seems a lot more mellow and laidback, even sounding Syd Barrett-ish somehow. It seems like a weaker track though, and this album seems like a step back in cohesiveness overall.
Phenagen has a very strange musical arrangement, with music that would not be anywhere far from voodoo witch doctor music. John Lydon sings very well here, and shows that even so-called punk rockers can carry a song and melody, no matter what you think of their ability to do so.
Flowers Of Romance is next up, with its elastic drum beat and a multitude of experimental sounds to boot. It has John Lydon questioning the decisions that one makes, peaking in the chorus and has some psychedelic edge to it. A brilliant song, and surely a mockery of romance itself? Who knows.
The next piece up, Under The House, has a super long intro. It’s a bit weaker, but still satisfying enough to listen to. It seems like a freaky sort of song, because it probably is. This album is certainly Leftfield for sure, if you know what I mean.
After that, we hear an unusual drum led piece called Hymie’s Him. It is an instrumental, but a poor instrumental at that. It lacks structure and is all over the place. Still, it fits on the album nicely though.
Banging The Door has John Lydon telling people nicely, to place their problems elsewhere. It is a great statement, and continues Problems by The Sex Pistols thematically. It’s a good tune though.
Go Back is the real track 8. This is difficult to make of the purpose of the song, with John Lydon singing lyrics about impressionist style values. It is a random piece for sure.
The last one on the album, Francis Massacre, is really quite good. Without a load of different instrumentation, sounds and chanting, it’s a good way to end this album. John Lydon has really improved as a singer at this point, and sings this album very well.
There are many remastered reissues of this album with a few extra cuts which were recorded around this time. Is this the best PiL album? It quite possibly is. It is a pure statement of artistry by the group and John Lydon. It blows away the bad synth pop which was arising at the time. It is a very underrated album, and deserves listening.
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