1984 was an anticlimax year for those who thought that George Orwell’s prediction would come through via his best selling 1984 book. It was also a build-up year for the trashiest of 1980s commercialized keyboard music. Additionally, Ronald Reagan was re-elected yet again in the United States. But ironically, along with Van Halen’s 1984 album recording, this album is the best of rock music in that year.
It defined the times and also has aged very well over the years. Sammy Hagar had cut himself a successful solo career, although one which is difficult to find on Spotify or Soundcloud. This album is worth hunting down if you can find it. It’s a very good listen.
It leads off with Sammy Hagar’s biggest solo career hit I Can’t Drive 55. It’s such a catchy pop/rock piece that it has caused many crazy drivers around the world to break speed limits to this song. It’s a great song and brilliant for Sammy Hagar.
The next song Swept Away is about finding one’s first true love and being swept away by it. Sammy Hagar delivers his famous high octave vocal delivery fantastically here, “One night, yeah and I am hooked on you!” Great for a song that wasn’t as popular as some of his other solo work.
Rock Is In My Blood is a celebration of what makes Sammy Hagar a great rockstar. It’s more downtempo but still delivers well. With such a voice, it puts all the other tobacco chainsmoking rockstars to shame with such great sounding vocals on this record. Sammy Hagar is not a tobacco smoker by any means, to this day.
Two Sides Of Love points to the ups and downs of a love based relationship. It’s a nice ballad and points out that in love one can never be too careful with a love based relationship. Sammy Hagar may have been hinting at his own troubled love life at the time of recording this song.
On the other hand, Dick In The Dirt talks about a dude called Richard who just likes to get some without being aware of the consequences. It is a little weaker but dirty and nasty. Hold onto your trousers gents when listening to this one gents.
The title track V.O.A. blows away every other rock singer of the time and points out that he truly was and is the voice of America. Even David Lee Roth of Van Halen could not muster up the sonic ability that Sammy Hagar had here, and does very well indeed with the extended vocal part at the end of this song.
Don’t Make Me Wait shows that love is not patient at times, and although it slows down, it doesn’t bore with the message. It flows nicely on the album.
Burnin’ Down The City is about putting on a great rock show. Sammy Hagar was and is capable of doing so, and this song finishes a very good and listenable album.
This is not Sammy Hagar’s best solo album, but it comes very close to being that. Even then, it’s fantastic listening for a rock album of the 1980s. Shortly afterwards Sammy Hagar began singing much more pop-like songs in Van Halen after that group lost David Lee Roth. It’s better to remember him this way, the songs are just fantastic and have energy and consistency throughout. For those who love Van Hagar and want more, check this album out.